The K-Pop industry is reeling from a shocking development involving HYBE, the entertainment giant behind global superstars BTS and Seventeen. HYBE, South Korea’s largest music firm, is locked in a bitter public dispute with Min Hee-jin, the CEO of its subsidiary label ADOR, which manages the chart-topping rookie girl group NewJeans.
The controversy erupted on Monday when HYBE announced it was launching an audit of ADOR and its executives, including Min. HYBE also called for Min to step down, alleging that she and another executive were attempting to seize control of ADOR through “unlawful” means. This sent shockwaves through the K-Pop world, raising concerns about transparency and corporate governance within HYBE.
Min, a highly respected industry veteran who played a key role in BTS’s early success, has vehemently denied the allegations. She claims HYBE’s accusations are baseless and an attempt to undermine her leadership. Min released a statement refuting claims of wanting to control NewJeans’ management and shared text messages with HYBE founder Bang Si-hyuk and CEO Park Ji-won, suggesting a previously amicable relationship.
The situation has become a complex web of accusations and counter-accusations. HYBE reportedly seized computer assets from ADOR’s offices and questioned staff, while Min accuses them of a “witch hunt.” Fans are divided, with some expressing support for HYBE and others siding with Min.
The fallout from this dispute could be significant. NewJeans, a hugely popular group with a bright future, finds itself caught in the crossfire. Their debut single “Attention” topped music charts globally, and their success was seen as a win for ADOR and Min’s vision. However, this controversy could cast a shadow over the group and potentially hinder their future activities.
Furthermore, the public fight between HYBE and Min raises questions about the treatment of artists and executives within the company. While HYBE is known for its innovative approach to K-Pop, stories of grueling trainee programs and demanding schedules for idols are not uncommon. This dispute could spark discussions about fairer treatment and artist rights within the industry.